Course info
ITAL0039: Identity and Performance in Renaissance Italy (21/22))
This module explores perceptions of identity in Renaissance Italy, bringing
recent perspectives to the compelling thesis of Renaissance man’s
individuality in Burkhardt’s foundational "The Civilization of the
Renaissance in Italy" (1860). The focus is especially on how identity could
be construed, or socially, politically, and culturally constructed, by
individuals or groups, through theatre and the rich culture of the princely
courts. We will examine Castiglione’s "Il cortegiano" (1528), which
provides a subtle portrait of the court of Urbino and of the multifarious
roles played by the ideal courtier. Theatrical works by Bibbiena, Ariosto
and the Intronati of Siena will provide a further basis for exploring the
complex dynamics involved in ‘self-fashioning’, from dress and leisure
pursuits to more challenging issues of imitation and dissimulation.
Students will explore the aesthetics and ethics of performance, debates on
nobility, linguistic issues, class and political identity, gender play, and
also attitudes to sociability and humour.